Focused firmly on what adobe photoshop lightroom 3 review free photographer needs, Adobe Photoshop Lightroom 3 manages to keep up with, and sometimes outdo, more expensive image-editing software. If you shoot photos in the raw format, whipping them into shape can be a challenge.

Instead of flogging the Photoshop workhorse to process your files, you might like to take Adobe’s cheaper, streamlined Photoshop Lightroom 3 software by the scruff of the neck instead. You’ll be finished batch processing long before lunchtime and have saved enough money to dine out.

Lightroom is aimed squarely at photographers, rather than graphic artists, animators and other types of Photoshop fans. It doesn’t have all the bells and whistles that Photoshop does, which can be a good adobe photoshop lightroom 3 review free — we’ve never used windows 10 without losing data download slice tool or 3D-walk-view tool in Photoshop, for example.

What you do need, and what you get, are pre-loaded /10899.txt profiles and superior noise-reduction modules. The lens-correction profiles in Lightroom are particularly good at saving you precious time. All lenses have defects, even the very adobe photoshop lightroom 3 review free ones.

But Lightroom can recognise the lens you’ve used and load up a correction profile to automatically fix barrel distortion, colour aberration and vignetting. For older lenses that don’t have a profile, we tried using a profile for a similar lens from the same manufacturer and still got a decent result.

You also have the option of making your own lens profile by playing with the distortion, colour aberration and vignetting 1.11 download free fusion pdf corel yourself, but we prefer to let an Adobe boffin in a Pantone white coat do it for us.

If you’re shooting where flashes are banned, having Lightroom at home will make you feel free to wind up the camera’s ISO and shoot into the gloom.

Lightroom handles digital noise very well indeed, so those rogue brighter sets of pixels in dark areas and blotchy areas in lighter tonal gradients can be tamed. We also like the fact that Lightroom armed us with the option to control luminance and colour with more precision than Adobe Camera Adobe photoshop lightroom 3 review free. Lightroom has a few excessive features. For example, we think the option to add effects like film grain is a slippery slope — next there’ll be a module for people who’ve forgotten to take off the lens cover.

Tweaks like this should be left to Photoshop, or, better still, buy some film. Nevertheless, some of the software’s more advanced features are well worth having. Shooting tethered — photographing directly into the computer — was once just the domain of more professional software like Capture One.

Lightroom can tether with some of the higher-end Nikon and Canon cameras and still comes in cheaper. In our tests, Lightroom also had the edge in noise reduction. It performed the tricky task of toning back bright pixel noise in smooth tonal areas, while still keeping detail sharp. One advanced feature we missed was the ability to listen to the audio image data associated with our photos.

We couldn’t find a way to hear the WAV files that our Nikon camera can record adobe photoshop lightroom 3 review free with each photo, which is a quick and easy way to take notes while shooting. Once you’ve finished creating a folder of photographic masterpieces, you may think the fun is over, but Lightroom has plenty more treats in store.

Making contact sheets and Flash-based Web galleries is a piece of cake, thanks to the pre-set packages on offer. You can also publish your pics straight to Facebook, Flickr and SmugMug, which makes it easier to share your work with the rest of the world, rather than hide it in a corner. Adobe Photoshop Lightroom 3 is one of the cheaper image-editing applications, but it doesn’t compromise on useful enhancement tools or output quality.

It’s a winning formula for adobe photoshop lightroom 3 review free the serious amateur and adobe photoshop lightroom 3 review free photographer, and will help you squeeze better results out of your photos in less time than ever.

Adobe Photoshop Lightroom 3 review: Adobe Photoshop Lightroom 3 Focused firmly on what a photographer needs, Adobe Photoshop Lightroom 3 manages to keep up with, and sometimes outdo, more expensive image-editing software. Alastair Fyfe. The Good Streamlined workflow; useful lens-correction profiles; great noise-reduction ability. Unnecessary filters; doesn’t recognise audio image data.

Adobe photoshop lightroom 3 review free, mean editing machine Lightroom is aimed squarely at photographers, rather than graphic artists, animators and other types of Photoshop fans.

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A compact view of import implements your presets and gives you control over editing metadata, keywords, and type of import.

Unfortunately, the import interface ignores folder structures on CF and SD cards, so we had to waste time creating filters to define groups of photos and then import each group individually. Lightroom now has direct support for tethered image capture for Nikon and Canon cameras, so you don’t need to use the camera’s own software–a useful option for studio photographers. Once you’ve loaded your images into Lightroom, you can begin your core operations in the Develop module.

The Develop module’s most obvious change in Lightroom 3 is the direct access it gives you to all collections and recent folders; in the past, you had to go back and forth between the Develop module and the Library module.

The bigger news, though, lies in how the module processes RAW files. Specifically, Adobe has rewritten the tool’s demosaicing, sharpening, noise reduction, and vignetting algorithms; and you can now add filmlike grain to your pictures. In our tests, the resulting improvements were more obvious in some photos than in others–as you’d expect.

But the noise reduction enhancement is very welcome, offering more-precise controls for reducing or eliminating noise while retaining more detail. For those image files previously processed in Lightroom 2. The Develop module’s Lens Correction reads image metadata and automatically corrects distortions inherent in the specific lens used for the shot.

Though Adobe supplies only some lens profiles from Canon, Nikon, Sigma, Sony, and Tamron, Lightroom works closely with Adobe Lens Profile Creator available free online from Adobe Labs , enabling you to create a profile for any lens you use. It’s a comparatively easy process, involving photographing a target and then putting the images through Adobe’s software to generate the profile. Though we happen to like the creative distortions of certain lenses which is why we use them , it is nice to be able to automatically remove flaws, and to have control over how much distortion to keep or add.

In view of how many DSLRs can now record video, it’s only natural that Lightroom now supports video files. You can import, catalog, and preview video without leaving the Lightroom interface. The Slideshow module improves video output, too, by simplifying how it handles music and MP4 export. For example, select your music file, and Lightroom will automatically calculate the appropriate duration of each slide to have the show sync with the length of the loaded music file.

Then you can customize your fade times. A new Custom Package print option allows you to create pages with different background colors and place photos on it by using customizable cells of specific sizes or by dragging a photo from the filmstrip. Recommended system requirements are Macintosh OS X v Ads can be a pain, but they are our only way to maintain the server.

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Pentax K News Sidebar. Portraiture pocket guide — how to create memorable portrait photographs. Once the account has been activated publishing your photos to Flickr is a simple matter of dragging your photos on to the Photostream collection then pressing the Publish button. Lightroom 3 will automatically begin the process of uploading the photos to Flickr.

Figure 10 below shows how Lightroom 3 displays the progress of the upload. Viewing the photos after they have been published to Flickr is relatively straightforward – right click on the Photostream to open the context menu then choose Go to Published Collection.

Assuming you have an active internet connection Lightroom will launch your default web browser at the Flickr page containing your photos. Clicking on the Publish button any time after the photos have been published to Flickr will import any comments, ratings, etc that viewer may have posted to your Photostream. These will be displayed in the dedicated Comments panel located on the right side panel track, just below the Metadata panel see figure 12 below.

Flickr Pro Account holders can subsequently modify their photos and republish them to Flickr using the same procedure as described above. Prior to Adobe including this feature in Lightroom I had never used my Flickr Pro account, but having the ability to manage photos from within the application was too good an opportunity to miss.

The Library Filter Bar was first added in Lightroom 2. At the time many were critical of the amount of screen area that it took up, but were even more vociferous in their criticism of the developers decision to make the metadata filter operate at local level. Screams of “where have my photos gone” were common on the Lightroom User to User forum. Even worse was the decision to make the filter sticky. Thankfully, the latter two criticisms have been addressed in Lightroom 3, although we now have another group of users screaming that the change messes up their workflow.

Seems like Adobe can’t win with this particular tool. Anyway, back to what we have now. It’s shown in figure 14 below as the icon with the red boundary. Clicking on it when viewing All Photographs will return all video files contained within your catalog. The Filter Bar is undoubtedly quite powerful, but it is also somewhat obtuse in terms of how it works. For example, many users struggle to get their heads around the actual filtering logic used within the Text section.

It’s really not that complex, but for the benefit of new users, it’s worth repeating some of the description I provided in my review of Lightroom 2. The first three are used for a filtered search of the contents of your catalog and the last i. None is used to switch the Filter Bar off. By default, the Metadata filter contains four columns, but is easily configured to display between 1 and 8 columns i. The actual column layout can be saved as a custom preset by clicking on the Custom Filter pop-up located on the top right corner of the Filter Bar.

Figure 13 above shows an example of the Metadata filter in use. One of the most useful aspects of the Filter Bar is filtering by keyword.

As mentioned above, the Filter Bar is also the location in which text based searches and attribute based filtering is carried out. The rule set for text based searches has changed little since Lightroom 1. However, it’s worth mentioning a few of the less obvious filtering rules that come in handy for fine-tuned searches within the text entry field.

Finally, multiple filters are activated by shift clicking the respective filter name e. Users add their data into predefined fields in the Metadata panel, which can then be saved to the image file or used directly within Lightroom for searching, etc. For example, none of the fields are explicitly mentioned in smart collections or metadata filter bar.

On 27th April Tom Hogarty, the Lightroom Product Manager, blogged about a previously unseen feature to be included in the final release version of Lightroom 3. This new feature is Lens Corrections , and will be discussed over the next few paragraphs. The new lens corrections in Lightroom 3 can be sub-divided into two categories – automatic lens corrections that are based on lens profiles, and manual corrections.

The automatic corrections use lens profiles created by Adobe or custom profiles created by you or a third party using the new Adobe Lens Profile Creator application. Adobe has included an extensive range of lens profiles for Canon Nikon cameras, although not every lens in the respective manufacturers catalogue is covered. They have also included an array of profiles created by Sigma.

Whether other lens manufacturers come on board is yet to be seen. Automatic Corrections Manual Corrections Figure 16 – Lens Corrections When applied, the lens profiles are designed to automatically apply three types of correction. When profile-based correction is activated figure 16 – Automatic Corrections Lightroom will use embedded Exif metadata for the lens and camera within the image to look for a matching lens profile. In the example shown in figure 17 below, the lens used was the Canon EF mm f2.

The three sliders located under the Amount heading are actually intended for fine-tuning the automatically profile correction. This is because the profile for this particular lens tends to over compensate for the lenses natural vignetting. Again, in this example I have already saved this correction as the new default for the lens, which means that my correction will be automatically applied each time the profile is activated.

Occasionally, it may be necessary to increase one or more of the Amount sliders, although I have only found this to be necessary for chromatic aberration with one lens i.

Sigma 14mm f2. The Amount sliders can also be used to completely remove the respective correction. For example, you may want a lenses natural vignetting to be applied in full rather than corrected. Also, note that these sliders only become active when a lens profile is enabled. Tip – you can only apply automatic lens corrections when the appropriate lens profile is physically installed on your computer.

This is because the profiles are not stored in the actual raw file or XMP sidecar. Therefore, if you move your raw files between computers or share them with others it is important that you also install a copy the lens profile on these computers. Creating your own lens profiles is a fairly straightforward, albeit time consuming process. Adobe have provided all of the necessary software and guidance documentation, so all you need is the time and the space to set up the calibration charts and camera.

Switching to the manual corrections tab you’ll see a mix of old and new adjustment sliders. The group of adjustment sliders listed under the Transform heading are new to Lightroom and operate independently of the automatic profile-based corrections. They’re actually a mix of lens corrections, perspective corrections, and scaling.

The geometric adjustment slider allows you to manually correct pin cushion or barrel distortion. The Vertical slider is used to apply a keystone correction to converging verticals see figure 18 below for example. The Horizontal slider correct horizontal shifts, and is typically used to alter the horizontal viewpoint.

Rotate is intended to be used to adjust the rotation of the transform, not the actual image. The final slider, is goes by the name Scale. This slider is used to adjust the scale of an image i. Typically, you will want to use it to remove the grey border after applying one of the other transforms. Enabling the Constrain Crop checkbox will automatically crop the image to remove any of the grey padding that appears after a transform gas been applied. The remaining adjustment sliders operate much as they did in earlier versions of Lightroom.

They’ve been retained for backward compatibility, but their presence may well lead to confusion, especially if the user subsequently applies automatic lens corrections from within the profile tab. Therefore, best policy is to avoid using them when a lens profile is available.

Applying the manual corrections to multiple images has also been taken care of with additional checkboxes being added to the Synchronise Settings dialog.

As you can see from figure 19 below it’s possible to apply all of the lens corrections or any combination of the four. As discussed earlier, the biggest changes within the Develop module are associated with the new raw image processing, noise reduction and sharpening algorithms. On their own, colour noise and luminance noise are a substantial improvement over their predecessors, but together with the new capture sharpening algorithm they take image quality to a new level.

Typically, details and textures are much cleaner, crisper and more natural. To see these new algorithms at there best I recommend that you make some prints.

Tip – it must be noted that these new demosaicing, noise and sharpening algorithms only apply when editing a process version photo. While the actual UI for the sharpening tool is the same as Lightroom 2 the actual sharpening algorithms have undergone significant change and improvement.

The improvements begin with the new demosaicing algorithms, which are more noise resistant than in previous version. That is to say, the new algorithm does a much better job of removing color and pattern noise, but leaves much of the non-pattern noise behind.

This residual random or grain-like noise is actually what gives the sense of detail and texture that many find appealing. The sharpening is achieved by adding halos to the edges in an image. Typically, one side of an edge will contain a dark halo and the other a light halo.

In Lightroom 3 these halos have been made more subtle. For sharpen radius values between 0. The radius has been tuned so lower than 1 radii are more precise There have also been some technical improvements in the way the sharpened data is blended back into the unsharpened image data But the biggest impact on the sharpening has been the removal of noise reduction in the actual demosaicing and placing the enhanced noise reduction with additional controls later in the processing.

Which this means is the sharpening by default now no longer needs to compensate for the built in noise reduction of the demosaicing, which could not be turned off. The end result is while the sharpening has been improved the biggest thing you are seeing is the increased “bite” the new demosaicing allows. While Lightroom 3 is not specifically discussed the details associated with sharpening and noise reduction are applicable equally to Camera Raw 6 and Lightroom 3.

Next we have noise reduction. With five sliders available you could be forgiven for being confused, not to worry Eric Chan provided the following description for each noise reduction sliders:. Luminance – Controls amount or “volume” of luminance noise reduction applied. Lightroom 3 has been tuned so that a setting of 25 is a reasonable balance of noise reduction applied, and detail preserved. This also means that the extra range between 25 and can be used to control how much additional noise reduction to apply.

A value of 0 means “do not apply any luminance noise reduction. This slider is always enabled for both process version and The default value is 0 i. Luminance Detail – Sets the noise threshold. Dragging the slider to right will preserve more details; however, doing so may cause noisy areas of the photo to be incorrectly detected as details and hence will not be smoothed.

Drag to left to increase smoothing; however, doing so may cause real details to be incorrectly detected as noise and hence will be smoothed out. Other notes: effect mainly observable only on very noisy images. This slider is new to Lightroom 3. This slider will be disabled when photo is process version , or when the Luminance slider see above is set to 0.

The default value is Luminance Contrast – Dragging this slider to the right will help preserve contrast and texture; however, it may also increase perceived “noise blobs” or mottling in high ISO images.

Dragging it to left when you want to achieve very smooth, fine-grained results; however, it may lose local contrast and textures may get smoothed out. As with Luminance Detail, results more noticeable on very noisy images e.

The default value is 0. Color – It is designed so that its default value of 25 does a “pretty good” amount of colour noise reduction, balancing the competing requirements of suppressing ugly colour noise blobs whilst maintaining colour edge detail. Setting the slider to 0 means that no colour noise reduction will be applied at all. Setting the slider to higher values than 25 means that much more aggressive colour NR will be applied. However, doing so will likely cause “colour bleeding” at edges.