Learn Adobe Illustrator in 30 Days Crash Course – FREE
adobe illustrator, adobe illustrator ipad, adobe illustrator tutorials, adobe illustrator draw, adobe illustrator alternative, adobe illustrator for. Learn how to use Illustrator in this crash course. 22 easy to learn lessons to help you start learning Illustrator. This is aimed to guide High School Students in Mr. Levin’s Digital Art and Design Course through the Illustration Proces – Free Course.
adobe illustrator cs3 free download – video Dailymotion
Download offers the opportunity to buy software and apps. When you buy through our links, we may get a commission. The bottom line : Photoshop CS5 greatly expands the toolset that Adobe offers in its flagship product, charting new ways to make image manipulation easier while making older tools work better than before.
Don’t worry about the lack of a new interface; the new ways to get your project done make this version a must. Photoshop has been in the English lexicon as a term to edit images for a long time, but the latest version of Adobe’s flagship program stretches the canvas of manipulation much further than ever before. The look of the program has changed so little from Photoshop CS4 that users of that version should be instantly comfortable with this major update, but Photoshop Creative Suite 5 Extended gives photographers, artists, designers, and LOLcats obsessives a stunning array of new tools.
Among the new features in Adobe’s flagship image-editing software are automatic lens corrections, High Dynamic Range toning, automated editing tools, and significant improvements to creating 3D images. Installation and setup Photoshop installation is straightforward, although it does require an Adobe account.
You can choose to purchase a license key immediately, which you will receive by e-mail, or try out the program for 30 days. When you receive your key, you can copy and paste the entire string directly from your e-mail into the first dialog box, and the other boxes will automatically populate. Depending on your Internet connection, Adobe says that users can expect download times of anywhere from 14 minutes on a corporate LAN to nearly 90 minutes on slower connections.
The Adobe installation process doesn’t play well with Mozilla programs such as Firefox and Thunderbird, so those must be shut down before the installation can be finished. You can use other programs while installing, but CPU slowdowns are likely on many computers. Adobe still refuses to have a Windows installation process that’s respectful of standard program installation behavior. Associated program icons do not install into an Adobe folder in your Start menu, but are rather unceremoniously dumped into your Start menu’s All Programs pane.
First-time upgraders should note that Adobe will not override your previous installation of Photoshop, so you’ll have to remove it manually. This may be annoying to some, but it’s actually reasonable behavior given the cost of the program and the desire of many users to fully explore the trial.
It would be nice if Photoshop came with a utility for removing previous versions, instead of having to go through the imperfect Windows uninstallation tool. The installation and uninstallation frustrations aren’t deal-breakers, obviously, but a little bit more attention here from Photoshop would result in a smoother process.
Interface Unlike the dramatic interface overhaul that accompanied its predecessor, there’s so little new to the look and feel of Photoshop CS5 that it’s barely worth mentioning.
The Workspace switcher has been modified so that you can drag it out of the drop-down menu across the menubar. Doing so can push the menubar itself down to a second level, which might take up too much screen space for some people. Pre-existing workspaces can be deleted, custom ones added, and generally the workspace concept has gotten a bit more user-friendly. Toolbox icons have been redrawn with a softer touch. This has the unfortunate effect of making them look mushy and out-of-focus against their gray background.
At least the iconography is the same, so the spot healing brush tool still looks like a band-aid, but this was not a welcome change. Despite lacking the aesthetic sensibility of its cousin Lightroom 3 Windows Mac , the overall layout of Photoshop remains consistent.
It’s not easy to use, nor is it hard to get used to the modular layout of adjustable panels. Further optional improvements can be made courtesy Adobe Labs’ Configurator , for customizing some parts of the navigation. Although the CS4 interface improvements were appreciated, the UI is essentially mundane and in desperate need of refinement.
It’s sadly ironic that the premiere image editor looks like a cockpit. Features and support The new features in Photoshop CS5 completely sell the program. It’s a bit hard to fathom that a program that’s been around for 20 years continues to innovate and improve as much as Photoshop has, but this version of Photoshop, officially v12, doesn’t just stretch itself here.
It expands the limits of editing achievement, simplifying previously complex tasks and introducing new ones. It’s not reinventing the wrench as much as it’s making it do new things that everybody can immediately understand. This review won’t cover all the new features and enhancements since there are more than three dozen feature changes alone, but we’ll look at some of the best and most important.
The new Mini Bridge should directly affect every user’s workflow. It opens a functional version of Adobe Bridge in a panel, speeding up processing by cutting down how often users have to jump out of the main Photoshop interface. Mini Bridge can be launched from the top of the interface to the right of the menubar, from the MB icon. As with any of Photoshop’s panels, the Mini Bridge can be resized and moved around the window as needed.
On first launch, the Mini Bridge took longer than expected to read files before it could be used. After that initial sluggishness, it loaded smoothly, even after rebooting the computer. It was noticeably faster to launch images from either Bridge or Mini Bridge into Photoshop compared with the previous version, but sticking Bridge access directly into Photoshop is a long-overdue innovation.
Automatic Lens Correction automates a task that previously could be completed by hand only. As CNET has noted elsewhere , Adobe based the tool on close measurements of multiple camera bodies and lenses so that Photoshop can take over the time-consuming effort of removing barrel and pincushion distortion, darkened corners from vignetting, and colored fringe on the edge of images from chromatic aberration.
You can tell that Adobe expects this feature to be a big selling point because it’s one of the few new features that comes bound to a hot key. You can toggle on or off vignetting, chromatic aberration, and lens distortion correction, which are the three major fixes that the filter looks for; adjust how the filter affects the edge of the image; edit camera and lens profile search criteria; or create custom profiles. The camera profiles seemed to be limited in our testing to more-recent models.
For example, the tool lacked profiles for Canon bodies older than the 50D. A new feature in the Merge to HDR panel called Remove Ghost will tidy up any minor alignment issues between your three HDR source images, and you can select which of the three images to base the final image on. This works fairly decently, but expect best results on images that have tricky lighting situations or are underexposed. Content Aware Fill improves Photoshop’s ability to intelligently replace part of an image with pixels derived from other, nearby colors, noise, and tone.
The feature can be used as part of the spot healing brush tool for fine replacements, or lassoed selections to replace large or unusually shaped chunks from an image. The feature introduces a redone method of resampling from the image. The differences between how the tool performs here versus in CS4 are not readily apparent since the changes in pixelation and accuracy depend too greatly on the situation. Tests with the spot healing brush revealed no differences to its CS4 predecessor, but that doesn’t mean its not working.
In general, it felt like there was less of a problem with incorrect sampling, but this wasn’t really quantifiable, as it still occurred in some cases. One of the most difficult Photoshop tricks has just gotten strikingly easier thanks to what Adobe calls ” intelligent selection. It worked extremely well with hair, and slightly less so with the more discernible echidna spikes.
It sounds simple, but the introduction of the Smart Radius and Decontaminate colors functions in intelligent selection provides a stunning breadth of control during image masking.
Following the tutorials for this is essential, because learning to do it right can impressively enhance your image control while cutting down on your workflow from CS4. Puppet Warp sounds like it could be a filter to Muppetize people in your photo. It’s actually a localized warping tool that gives you the ability to accurately recompose selected aspects of an image, such as changing a straight leg to bent.
It can’t add content where it hasn’t existed, so it works best when used on a subject shot in profile, but the tool itself worked well. Once you’ve created a selection, choose Puppet Warp from the Edit menu and apply pins where you want to create pivot points in the image. Playing around with them, you can stretch a selected area between two pins. Unlike the complicated intelligent selection, Puppet Warp took seconds to learn.
Of all the new tools, this is probably the most fun to use. The tool may not appear to have much practical use, but it can easily lend itself to basic but creative 3D implementation without having to upgrade to Photoshop Extended.
Photoshop is not the best digital painting program around, but the new Mixer Brush and Bristle Tips features give it a much stronger easel to stand on. Briefly, the Mixer Brush lets you add multiple colors to a single brush tip and then blend them to whatever colors already exist on your canvas.
Users can define how wet the canvas is, how fast paint gets re-added to the tip, the mix rate between brush and canvas colors, and whether the brush is refilled, cleaned, or both after each paint stroke. Bristle Tips provides similarly fine-tuned control over the brush tip, including shape, length, stiffness, thickness, angle, and spacing.
Although some photographers might swear otherwise, it’s not necessary to use a tablet for photo editing. This was not the case with the new painting tools, where a standard mouse did not provide the kind of detailed control required to manipulate the tools properly. Still, by building out the painting options, Adobe’s clearly trying to keep Photoshop competitive across all major disciplines. If you don’t need them, don’t get the more expensive version.
If you do, though, there are several notable new features. Adobe Repousse streamlines the process for converting 2D artwork into 3D, then provides a bucketload of options for altering the design. There’s nothing revolutionary here except a reasonable, solid effort at reducing workflow. It’s effective, and it’s hard to argue with less than six steps to creating a 3D letterform. Photoshop Extended users will get an equally quick workflow for adding realistic textures to 3D models.
The program comes with a stack of textures, which users can edit and save as their own, as well as create custom textures from scratch and download new ones off the Web. There’s also new options for introducing image-based lights for dynamic light sourcing on complex models, shadow capturing, and improved ray tracing.
Much like the painting tools, the 3D options are not a full-on replacement for a 3D renderer, but they will do quite admirably for users looking to regularly add 3D pop to their art without having to shell out for a modeling suite. Other changes include tweaks to everything from the Adobe Camera Raw plug-in to tool menus. Raw processing has earned itself some better tools for reducing noise, and adding vignettes and grain to give stills a more filmlike quality.
The Raw tool in general also feels less jittery than its CS4 predecessor, and it now will automatically downsample your or bit raw image down to 8-bit JPEG when you save it. The relatively complicated process of straightening images has been replaced by a Straighten button in the Ruler tool.
Throw in the Alt or Option key and you’ll straighten without cropping. Note that to fully undo the straighten, you have to go back through your Actions panel. When cropping, you can add an overlay grid after you set your crop boundaries. You can now prevent the Sharpen tool from creating artifacts by using the Protect Detail option, copy colors as a hex number, and gain a modicum of collaborative tools via the deeper hooks to Adobe’s online CS Review. You can now change the opacity of more than one layer at a time, create layer masks from transparent layers, and use lens correction profiles when stitching using Auto-Align in Layers.
Layer settings will also remember your previous settings. Mac users will see some specific improvements for their computers. Trackpad gestures can be disabled, too. There’s no doubt that the major features changes create a strong framework for CS5, but its the addition of these detail-oriented fixes that sell the picture of CS5 as an upgrade worth getting. Photoshop support is available on several levels.
Adobe illustrator tutorials cs3 free
Photo montages, designing web interface, designing ads or posters? If you want to land a job as an illustrator, then you really need to have good foundation in drawing. However, if you are working as a graphic designer, illustrator can help you create character drawings and logos. I can draw, yeah, but not very good. Anyways, I have another question, but not sure if this is the right place to ask it.
Thanks again for replying. Greatly appreciated. This are some ways illustrator would be useful for your job. For portfolio, it will depend on your strength and what job you are looking for. If you are good at brochure design and looking for a job in that area, then focus on it and put your few best pokiesaustralian. Then you can leave out your web projects and illustration drawings.
If you have anymore questions in making your portfolio, you can email me. I will be happy to help. I think this is great. For example, have us a make something and then after the weekend publish your own work flow and how you would get it done.
I want to use this to make a web site for my site: tefilla. This is a great idea! I just purchased Illustrator because I got a webmaster job for school, and I though it would be helpful know a little Illustrator here and there, and so far I like it, but I have no clue what true power the application holds.
I will definitely follow along starting tomorrow! This is fabulous, thank you so much I have tried to learn it on my own but not doing very well LOL. This is totally amazing! This sounds like a miracle. This is so great!
Thanks so much! Great work and my respect. I have been an Illustrator user since v1. Thanks for these lessons, really looking forward to going thru them. FYI, if you join anytime after week 3 starts, the feed readers arent shown more than 10 posts. Folks new to the site will want to get them all: You can change this in the WP settings from 10 to whatever. This is great! Thank you!
This is a brilliant idea. I wish this was available sooner. However it is still helpful to me. Great job. I hope to see something like this course for Photoshop and Flash cs3. Thanks for you tutorials. I was going to make a donation but it was there was an error. If you can email me your paypal account, would be more than happy to send the donation. What an awesome initiative! This blog has been one of my favorites so far.
Thank you for the great posts. They went down a storm, with fellow designers asking for more. See one of them above, and check out our post about his Illustrator hacks. This tutorial offers another look at artboards in Illustrator CC opens in new tab.
There are options for handling layers, selections, text and more, along with some handy hints for brushes, saving and closing, and viewing options. Creatives will be all too familiar with the hassle of exporting logos in various sizes and formats for different client needs, but Dansky has created a handy free pack to make that a whole lot easier. In this helpful video tutorial, he shows how to streamline the process of exporting logo designs to meet different specs.
This Adobe guide covers the basics of sharing in Illustrator CC opens in new tab. It covers the topics of how to share files, how to save them as PDFs and how to export images.
This tutorial explains how to export higher quality SVG artwork opens in new tab for use in web and app projects. If you’re already a user of Illustrator and want to know what’s new in the latest update, this info-packed video from designer and Certified Adobe Design Master and Instructor Martin Perhiniak is a great place to start.
Perhiniak runs through all of the updates in the latest version of Illustrator in under 15 minutes. His explanation of the new 3D and Materials feature is particularly useful for anyone wondering what they can do with that new dedicated panel. Will Paterson is full of tips that can be handy for both “professionals and normal people”, and there really are some true gems in here, such as tips for using multiple artboards in one file and scaling strokes and effects.
Some of these tips and tricks can be highly effective when it comes to streamlining your processes and improving your workflow. Gradients just aren’t going out of fashion, especially in brand schemes. In this popular video tutorial, Dansky walks us though how to create a simple gradient logo opens in new tab in Adobe Illustrator. This Illustrator tutorial is taught by certified Adobe Design Master Martin Perhiniak, who was voted one of the top 10 Adobe instructors back in His video explores different drawing techniques in Adobe Illustrator CC.
He offers advice to help you improve your skills when working with shapes opens in new tab. It’s well worth a look. Icons are a world all on their own. Here Ben O’Brien — aka Ben The Illustrator — walks us through the process of creating simple yet effective sets of illustrated icons using Illustrator in an easy to follow tutorial. Learn how to turn your basic stick men into graphic figures with their own style and personality in this Illustrator CC tutorial from Ben O’Brien.
Here, the ever-informative Dansky explores how to take shapes to the next level opens in new tab. He offers a range of techniques that you can use to transform basic shapes into more complex shapes by working with elements such as gradients, opacity and the Shape Builder tool. One of the great things about Adobe Illustrator is the ability to create your own brushes.
Here, Chris Rathbone explains how to create your own vector Illustrator brush in three simple steps. Illustrator CC’s Dynamic Symbols tool allows you to dynamically change a symbol’s attributes to streamline the creation of artwork.
This tutorial explains how to use the tool to create multiple instances of a master symbol opens in new tab , which then retain their link to the master symbol even when their shape and visual attributes are altered. This tutorial from Matthew Pizzi uses both methods to show us how to create a 3D gift box.
He also teaches us an easy way to create a reflection. Want to create a logo that will look just as good in print and on screen while combining imagery with text? This tutorial shows you how to design a logo opens in new tab. This tutorial teaches you how to make a web icon opens in new tab.
Learn how to modify simple shapes to create a camera icon that can be used as a social media profile avatar and as a button linking to a portfolio on a digital CV. Another step-by-step tutorial from Matthew Pizzi, this one shows how to create a calculator app icon in Illustrator opens in new tab.
This tutorial looks at how to create a perfectly geometric logo design. Begin by creating an initial pattern using smart guides, then remove areas from shapes using the Shape Builder tool or Pathfinder tool. Then add gradients. Learning how to join paths opens in new tab is a great way to clean up your line work in Illustrator CC. This tutorial explains how to trim excess line segments from intersecting paths and how to close the gaps between two open paths.
Cartoon-style avatars are a halfway house between formal representation and stylised illustration, allowing a degree of anonymity for the person pictured. Another tutorial from Chris Spooner, this one shows how to use the vector tools opens in new tab in Adobe Illustrator to produce a simple avatar with a line art style and flat colours. Chris Spooner has a host of useful Illustrator tutorials.
In this tutorial, he goes through the process of creating a line art badge logo design opens in new tab. There’s been a trend of designing logos in the style of line art, featuring simplified illustrations to produce a minimalist design. This shows just how to do it. Building a custom Illustrator brush is a great way to put a unique stamp on your work.
While the software comes with watercolour-style brushes out of the box, this advanced Adobe Illustrator tutorial explores how you can make your own custom brush opens in new tab. In this Adobe Illustrator tutorial, Ruslan Khasanov creates a multi-exposure illustration to express the concept of multilocalism. He explains how he created it from vision to the finished artwork using Photoshop, Illustrator, Dimension, Adobe Stock, and traditional paints.
Follow the tutorial to learn how you can create a multi-exposure image. Illustrator doesn’t have a dedicated symmetry mode, but in this video, Dansky shares a smart hack that enables you to create a similar effect using the Distort and Transform tool.